Frederic Edwin Church, floating iceberg, oil on paperboard, 51 x 76 cm, 1859
Hugh Ferris, Study for maximum mass permitted by the 1916 New York zoning law, stage 1, black crayon, stumped, brush and black ink over photostat, varnish on illustration board, 66 x 51, 1922
Myron Stout, Aegis, oil on canvas 61 x 50 cm, 1979
Henry Whysall, Chromatin with beads, k and silicone on linen, 100 x 70 x 3 cm, 2025
Henry Whysall, photographic study of a shop window, 2025
Takesada Matsutani, Stream 91-1-3 vinyl adhesive, graphite, Japanese paper on canvas, 92 x 73 cm, 1991
Naumburg Master, Uta von Ballenstedt, Uta of Naumburg, Sandstone polychrome, Life size, 1245
Thomas Müller, Ohne Titel, pencil on paper, 30 x 21 cm, 2024
Henry Whysall, plastron detail with resin on linen, 120 x 80 x 6 cm, 2025
Richard Diebenkorn, Ocean Patk #133, oil and charcoal on canvas, 206 x 206 cm, 1985
Josef Sudek, The Window of My Studio, gelatin silver print, 22 x 17 cm, 1940s - 1950s
Josef Sudek, The Window of My Studio gelatin silver print, 22 x 17 cm, 1940s - 1950s
interior of Kölner Dom, Cologne Cathedral, 1248 - 1880
Giuliano da Sangallo, cloister of the church of Santa Maria dei Pazzi, 6th century, Florence
Edgar Degas, Fumées d’usines, monotype printed in black ink on laid paper, 12 x 16 cm, 1877 - 1879
Oskar K, Albrechtsburg, small Wendelstein, view from the church hall, silver gelatin print, 18 x 13 cm, 1927
Kiyotoshi Mori - MDS, Shirokane House, concrete dwelling, 2013
Nehemiah Grew, vine-root cut transversly from The Anatomy of Plants, copperplate engravings on handmade paper, 32 x 20 cm, 1682
Herbert W. Franke, Analog-Grafik D2 - Dance of the Electrons, photographic image using an analog computer and Demo-Gerät and cathode-ray oscillograph, 1962
Henry Whysall, photograph of reflected light, flat, Den Haag, 2024