paintings

You can also keep up with Henry’s latest painting updates on Instagram at @henrywhysallpaintings.

Painting can sometimes read like a sample—an entity detached from its origin, yet self-contained and autonomous. Even when modest in scale, a painted surface can evoke a sense of vastness.

Crumpled, planetary-like terrain may shift into diseased flesh; the geological slowly merges with the cellular and bodily. These contradictory impressions are woven into a single image—a Frankensteinian patchwork of forms and associations.
— Henry Whysall

2026

skien

with silicone and resin on stripped painting 

50 x 35 x 12 cm

2026

overturn

with oxidised iron on silicone on linen 

150 x 90 x 5 cm

2026

faux gold

with gold dust and graphite on silicone on cast resin

29 x 23 x 6 cm

2026 

cloister

with mixed media covered with cast resin on wood block frame

29 x 23 x 14 cm

2026

exudation

with silicone on resin with resin beads 

29 x 23 x 7 cm 

2026

i p r i g i o n i 2

with resin on resin on panel

62 x 45 x 5 cm

2026

gethsemane

with pigment and resin on linen 

120 x 80 x 5 cm

2026

flotsam

with silicone and resin on wooden block frame

24 x 23 x 10 cm

2026

thew

with chalk, pigment and silicone on panel

100 x 70 x 5 cm

2026

chromatin

with beads, pigment and silicone on linen

2026

fool’s gold

with silicone, latex and resin on cast resin

40 x 30 x 4 cm

2026

keros

with silicone, resin and pigment on cast resin and wood

57 x 40 x 7 cm

2026 

tabby

with silicone and beads on linen

100 x 70 x 2 cm

2026

graft 

with resin and gloss on linen

120 x 80 x 4 cm

2026

more paintings

You can also keep up with Henry’s latest painting updates on Instagram at @henrywhysallpaintings.

archive - paintings in private collections